The Art of Choctaw Heritage

This is a collection of illustrations depicting my Choctaw heritage and culture.

pkArtz: Art from A to Z

Chahta Strong

Handmade stickball sticks (kapucha) are painted in acrylic on the handles and mounted on a wooden plank with tree bark intact on the sides. The colors used on the handles are ribbon colors of WWI US Army Inter-Allied Victory Medal, significant to those who served. Choctaw Code Talkers were instrumental in winning the war with their use of their native language for Army positioning. The game of stickball (isht aboli) is known as “the little brother of war” which indicates the sport is truly physical. The painted players battling for the leather-bound ball shows the intensity of the sport. The skill level of this fast-paced sport is competitive and exciting to watch.

Inquiries for art purchase my contact Paul at: pk.artz2012@gmail.com

Forever/Friends

Ireland and Choctaw Nation formed their relationship in 1847. Oklahoma Choctaws, who arrived after the devastating “trail of tears and death” collected over $5,000 (in today’s dollars) and donated to the Irish during their Potato Famine. The famine ravaged Ireland during the 1840s.

In 2017, the sculpture, “Kindred Spirits” by Alex Pentek, commemorated the Choctaw aid and continued the friendship of the two nations. The sculpture was dedicated in Bailick Park in Midleton, County Cork, Ireland.

The focal point of my painting is the “Kindred Spirits” sculpture. It is my interpretation of the sculpture as I painted it in the traditional, flat style of painting, that I have studied from master American Indian artists, such as Fred Beaver. The technical application to paint by outlining objects with a long-hair brush fascinated me. In my “Forever Friends” painting, an added challenge was making the feathers transparent in this flat style of painting. I also utilize a background of Choctaw diamonds and scrolls for consistency with my stamp series.

Inquiries for art purchase my contact Paul at: pk.artz2012@gmail.com

Forever/Chahta: Building Traditions

The curiosity and energy of youth with the experience and wisdom of an elder may define the meaning of traditions. Depicting a youthful player picking up the sticks of her ancestors, she will develop her skills and holds a future of traditions in her hands. One may see the traditions of the game, the drummer and princesses leading the team, the touching of the sticks, the team symbolism of colors, making it important to this tradition. As for the painting itself, it is a postage stamp “forever” painting, first of a series.

Inquiries for art purchase my contact Paul at: pk.artz2012@gmail.com

Path to Prosperity #Hope

With the theme of Hope and Prosperity during these times of the unknown, this painting also symbolizes the past and the struggles to overcome. The footprint (molded in clay) symbolizes the path from the US Government’s forced removal from our Choctaw homelands in Mississippi to Okla Humma (I.T.). The Luksi (turtle) represents moving forward with nature, stretching for the next step to greener pastures. The modern moccasin represents the progress we continue to make as Choctaw people.

©2021. Paul King aka pkArtz
12” x 36” Acrylic on wood and leather

Inquiries for art purchases my contact Paul at: pk.artz2012@gmail.com

Choctaw Spirit

Dear Grandchildren…

“Remember your past, plan for your future. My dad, your great grandpa, had a Choctaw Pony when he was young. He lost his parents to illness at the same young age. He overcame a lot to accomplish a lot. I hope that you will do the same with the opportunities you are offered. Be kind, take nothing for granted, be responsible, and keep the Choctaw Spirit alive in you.”

Love Always, G’Pa

This illustration provides a look from the past, into the future.

For art purchase, please inquire: pkartz2012@gmail.com

"At Peace"

At Peace is a tribute to all service personnel who served our country. Their sacrifice, along with their families, allows us the freedoms we share today. Uncle Loyd (Dyer) received this Purple Heart coin in a ceremony in April of 2013. He was residing at the Claremore Veterans Center, Claremore, Oklahoma, before his passing in 2015. As a soldier or a warrior in days past, Uncle Loyd was proud of his service to our country. Now he is at peace.

©2013 Paul King aka pkArtz 20” x 16” Graphite & color pencil on art board
For more information for purchase, contact Paul at: pk.artz2012@gmail.com

"OKLA HUMMA" #chahtagourddancers

The Choctaw gourd dancers represent warrior veterans who served our country. It’s the American Indian way, to defend and serve. The diamond pattern represents the pattern of the diamond back rattler that symbolizes the respect of nature. The concept comes from ledger art, only using a simulated page from the Choctaw dictionary.

For more information for purchase, contact Paul at: pk.artz2012@gmail.com

"Grandma Missy" Missy (Shoemaker Golden) Marris, 1890-1961

Grandma Missy is an original enrollee and a survivor of the infamous Trail of Tears, the U.S. Removal of Mississippi Choctaws to then Indian Territory (Oklahoma) in 1902. She is a grandmother of a friend of the artist from Ardmore and was a homemaker, gardener, cook, quilt maker and mother of three children. She made quilts out of necessity to keep the family warm during the Removal but continued to make them as life adjustments improved. She made quilts as presents, using scraps of old shirts and dresses. Her strength came from her faith in God. Grandma Missy cooked, cleaned, and continued her quilt making until just a couple of months prior to her death. The artist believes this illustration relates to a lot of us who had grandmas who quilted and provided for her family needs.

For more information, contact Paul at: pk.artz2012@gmail.com

"Man of Reverence"

Reverend Bertram Bobb (1924-2015) served the Choctaw Nation of Oklahoma by being appointed Tribal Chaplain in 1996. He served District 7 for 18 years as a Tribal Councilman. Reverend Bobb also served the Inter-Tribal Council of the Five Civilized Tribes Chaplain for 27 years, as well as serving religious communities in Antlers and Ringold, Oklahoma. He was a member of the Choctaw Code Talkers Association for 20 years and was instrumental in informing Congress to recognize the World War I Code Talkers.

This gives you an idea of who Bertram Bobb was. In this illustration, the artist sought to create a respectful image as a tribute to this spiritual leader of the Choctaw Nation of Oklahoma. The focal point of his portrait in the center portrays his strength of character, his vision for the Choctaw people he led and the sincerity he shared. The white hat was symbolic of his passing, the dove representing peace and his life as a messenger of his faith. The Bertram Bobb Chapel at Tuskahoma is illustrated in the lower right corner, with the starry night background pulling all the illustrated elements together. You may notice the star that is in the shape of a cross, placed in the line of vision of Reverend Bobb.

For more information, contact Paul at: pk.artz2012@gmail.com

"Buffalo Tribute" yannash

The American Buffalo (yannash, also known as bison), depicts the importance of a heritage almost lost through extinction, its survival and re-growth to regain its place in nature. Inspiration was drawn from watching the herd of Choctaw buffaloes located north of the grounds at Tuskahoma. The massive appearance of this American Indian symbol emphasizes their docile nature, but they will defend if they are provoked. Much may be said of the same parallel of the Choctaws and the acceptance of the American Indian in today’s society. The stretched hide features the main illustration drawn on the torn paper and symbolizes that beyond life the buffalo provided the American Indian many uses of survival. A page from a sketch book illustrates concepts and a study of Choctaw words relating to the buffalo. Today, in some homes of Indian descent, Choctaw is nearly a lost language. Through efforts of the Choctaw Nation, online and onsite classes are available to restore that part of our culture. The main illustration is in colored pencil which depicts the strength and the beauty of the buffalo. Entered in the Choctaw Nation of Oklahoma Art Show in 2009, it received the Choctaw Heritage Award, the highest award a Choctaw artist may receive in competition. It was also exhibited at the Smithsonian Institute, North American Indian Museum, Washington, DC, in conjunction with “Choctaw Days” during June of 2011.

For more information, contact Paul at: pk.artz2012@gmail.com

"Joseph King" #MikoJoe

As a 138-pound halfback and shortstop, this full-blood Oklahoma Choctaw was the first to receive his bachelor’s degree from Bethel College, McKenzie, Tennessee, in 1943. He accomplished the same feat at Oklahoma University, Norman, in 1948, with his master’s degree in education. Honorable and outstanding.

My sister, brother and I called him Dad.

For more information, contact Paul at: pk.artz2012@gmail.com

"Buster" Choctaw Pony

“Dream a Pony, Wake a Spirit” authored by Sarah Silver, illustrated by Paul King. The book is set in the 1990-1907 and is based on the author’s stories as told by her father of his boyhood days before statehood. Sarah’s dad and her little brother rescued a wild Choctaw pony and the book expands on the adventures they had with this pony. The illustration is a wrap-around book cover that was published in 2015. The artist’s participation in this project benefits the ponies directly as a portion of the sale of the book go to the care of the ponies with food and supplies. Historically, the mustangs were declared the Official Heritage Horse of Oklahoma on March 5, 2014 by the Oklahoma Legislature.

For more information for purchase, contact Paul at: pk.artz2012@gmail.com

"CHAHTA"

The mat was hand-cut with the letters for a series of illustrations from the artist's maternal (Dyer-Labor) side of the family. Each letter depicts ancestors through illustrations created in graphite. “Chahta” translates in English to “Choctaw.”

C: Vacation Bible School, 1933, Mt. Fork Presbyterian Church: Madeline Dyer King (mother, deceased) is standing under the Christian flag; Loyd Dyer (uncle, deceased) is next to her; Etta Mae Dyer James (aunt, deceased) stands next to him.

H: Malinda Labor Dyer (maternal great grandmother, deceased), Roll #14469, poses with Pearlie Wilson (great aunt, deceased), Roll #1156.

A: Talihina Indian Hospital (IHS), were King was born in 1949.

H: Willy, Roll #1155, and Amanda Dyer (maternal grandparents, deceased), Roll #7184, after church in Eagletown, Oklahoma.

T: Eagletown, time spent in the artist's “early years” as a Choctaw and of course, the emblem of the Choctaw Seal.

A: Rev. James Dyer (maternal great grandfather, deceased), Roll #1151 served as a delegate of the Choctaw Nation before statehood to the United States Congress.

This piece was also exhibited at the Smithsonian-North American Indian Museum in Washington, DC, in conjunction with the “Choctaw Days” in June, 2011.

For more information for purchase, contact Paul at: pk.artz2012@gmail.com

"Choctaw Veteran"

Choctaws were always ready to serve others, defend our country and provide leadership whether in military or civilian life. This illustration tributes Choctaw Veterans that are also family relatives. Clockwise, top: Uncle William "Boy" Dyer (in front of his car); Uncle Leslie James (former councilman and tribal Judge) and his son John James; Uncle Loyd Dyer (Choctaw Veteran cap) shaking hands with former Chief Greg Pyle (Choctaw brother); Uncle Jack Dyer (pictured in front of Uncle Loyd); Joseph King (my dad) is centered in this picture; Larry King (my brother in the Air Force hat); and Edwin Dyer's marker (second cousin). It was an honor to tribute these men and also acknowledge the women who served our military for the freedom we share.

For more information for purchase, contact Paul at: pk.artz2012@gmail.com

"Generations"

This three-part graphite illustration begins with Grandpa Willie Dyer (left). Two memories are depicted in this illustration: 1.) When he put on a tie and his straw hat, he was either going to church or to a gospel singing. 2.) The words “With my love, just Grand Pa” was the way he always signed his letters and that was a fond memory. The illustration (top, right) of the artist’s parents, Madeline and Joseph, was drawn on a colored art paper and depicts their version of “glamour shots” in 1944, with him in his Navy Seabee uniform, prior to his deployment to France. The final piece is a self-portrait with two youngest sons, Cody (with the brimmed hat) and Casey (with the big smile) during fun times at Christmas. The Choctaw word “unchululi” is the title of this piece, “Generations.” The diamond pattern on each illustration is a Choctaw motif and is used throughout.

For more information for purchase, contact Paul at: pk.artz2012@gmail.com

"Hands of Time"

This was created as a study of hands, not just any hands, but the hands of artists creating their craft for heritage, enjoyment and sharing to others. By contrasting colors drawn in colored pencil and the pencil drawings of the hands in grey tones, the images also show a contrast in time. The first illustration of the reed basket weaver shows the intricacies and beauty of taking a natural object to weave it into a beautiful piece of art as well as serving as a functional storage vessel used by many Choctaws. The hands indicate an experienced craftsman. The second illustration depicts the joy that is associated with Thanksgiving, food and friends gathering at a joyful time. It also represents the youthfulness and fun in the art of finger painting. The final illustration shows the artist and one of the man-made tools that are used to tell a visual story through the art of drawing. Though the first two drawings could represent anyone’s hand, the third drawing is my hand, highlighted with my stickball ring that was created by an Oklahoma Choctaw silversmith. The 3B pencil is complemented by the hand-crafted stickball ring on the artist’s finger. The illustrations were mounted onto a black mat that was embellished with a clock face drawn with a grey colored pencil that includes the hands of “time”.

For more information, contact Paul at: pk.artz2012@gmail.com

"Living Legacy" ishuba chahta

Inspired by ranchers Bryant and Darlene Rickman of Soper, Oklahoma. As they are taking the lead in preserving the Spanish mustangs’ bloodlines, an important part of Choctaw and Oklahoma history. In visiting with Mr. Rickman, he had many stories about the ponies and it was impressive that he could call out each horse by name and knew their lineage. Notice a knife carving in one of the fence posts with the letters, “ISUBA CHAHTA”, translated into English would mean Choctaw Pony. The focal point of this acrylic painting is the Choctaw mare and foal. Ancestors of these horses came to Indian Territory during the infamous Trail of Tears. In 2014, the Oklahoma Legislature designated the Oklahoma Colonial Spanish Horse as the Heritage Horse of Oklahoma, declaring that they embody “the very spirit of Oklahoma and remain a living piece of state history.”

For more information for purchase, contact Paul at: pk.artz2012@gmail.com

"Patriotic Warriors" tushka okla

Pictured, counter-clockwise, top: Solomon Louis, Mitchell Bobb, James Edwards, Calvin Wilson, Joseph Davenport, Capt. E. H. Horner, Code Talkers Commanding Officer. Standing with arms on hips: Solomon Louis. Center: Noel Johnson. Below Noel: Joseph Oklahombi, most decorated Code Talker. Red Warrior (tashka homma) statue, Capitol Grounds. Cross markers, symbolic to ultimate service. Top, right: Congressional Medal of Honor presented in 2013, posthumously to 19 Choctaw Code Talkers: Albert Billy, Schlicht Billy, Mitchell Bobb, Victor Brown, Ben Caterby, Joseph Davenport, George Davenport, James Edwards, Tobias Frasier, Noel Johnson, Ben Hampton, Otis Leader, Solomon Louis, Pete Maytubby, Jeff Nelson, Joseph Oklahombi, Robert Taylor, Calvin Wilson and Walter Veach. These warriors were told not to speak of their service and they didn’t even tell their families, not looking for recognition. The men listed were part of the 36th Division (“Choctaws”). Originally, only eight men were recognized as Choctaw Code Talkers, but as the success of using their native language as a “code” was recognized, others were quickly pressed into service.

For more information for purchase, contact Paul at: pk.artz2012@gmail.com

"Skilled" imponna

Stickball is one of the earliest forms of recreation that Choctaws continue to play this day. This legendary game has been played for centuries and is also known as "the little brother of war". Stickball contests were used to settle differences or disputes from neighboring tribes. Competitions continue to this day as players use two sticks, cupping the leather ball and aim at goal post that is well defended. Early games had over 100 players on a team playing at one time. While that number is different today, perhaps half that number per team, there are plenty of combatants playing offense (forwards), midfielders and defense around the goal post. It is a fast-paced, physical game, with no padding, many not evening wearing shoes.

For more information, contact Paul at: pk.artz2012@gmail.com

"Survivors" Choctaw Ponies (isuba chahta)

“The Trail of Tears” was the sensitive, historical removal of Mississippi Choctaws to Indian Territory (Oklahoma). This “trail” was filled with perils of nature and mankind as many American Indians did not survive. The young, the elderly, the women, traversed on the back of these Spanish mustangs, survivors in their own right. This string of pure-bred Spanish mustangs roams free on pastureland to this day in southeastern Oklahoma. The concern is the preservation of these mustangs as they were declared Oklahoma’s Heritage Horse by the Oklahoma Legislature in 2013. Continued efforts to fund their care and feeding are ongoing and appreciated. It is the artist’s belief, without these ponies, the Choctaw Nation of Oklahoma would not be as strong as it is today.

For more information, contact Paul at: pk.artz2012@gmail.com

"Phases"

Stickball parallels life.

Players prepare for situations, both mentally and physically. They react to those situations, many times at a fast pace. They communicate in many ways, working with others for a common purpose. While the outcome may not always be in their favor, they know that effort needs to be at their maximum to be successful. Having watched stickball games, the artist is so impressed with the skill level of not only catching and throwing, but just being able to “see” the ball, which is golf-ball size. The movement of the game is amazingly fast paced, the skill level must match that pace. This illustration depicts our Choctaw/Creek cultures, with many traditions that continues to showcase our heritage through our young people.

Phases garnered the Best of Show at the 2017 Choctaw Nation Art Show, in conjunction with the annual Labor Day Festival at the historic Choctaw Nation of Oklahoma Museum and Council House, Tuskahoma, Oklahoma. Choctaw artists from across the country submitted works to this 11th annual juried show. The artist was honored to meet the A.J. and Robert Briley who were featured as the true faces of Phases.

For more information for purchase, contact Paul at: pk.artz2012@gmail.com

"Then and Now" [hopaki maicha himak]

Reflections of Choctaw history and traditions from the grounds at Tuskahoma, near Talihina, provides the contrast of the re-created village and the Council House/Museum in the background. While the village was made of primarily cut trees and mud, it offered the visual difference of the construction that the Council House presented. The foreground illustrates the “then”, drawn in graphite, is a contrast of structures. The village fence allows the viewer to see the “now” which is the museum and is created in colored pencil. The stickball players in the foreground illustrate Choctaw traditions of today and involves both the “then and now” with two modern day “warriors” playing the traditional game of stickball. The Choctaw words in the sky, Hopaki maicha Himak are translated to the title Then and Now.

For more information for purchase, contact Paul at: pk.artz2012@gmail.com

"You've Got Mail" #holissotchiälatuk

Capturing the character of this weathered tool of communications was the focal point of this painting. It is still a functioning mailbox that is located south of the Choctaw Nation’s Museum and Council House, Tuskahoma, Oklahoma. In the background you see the traditional tree post fence that surrounds the re-created Choctaw village. The faded yet rather large mailbox, once the main way we corresponded with each other, represents traditions that are continued today. While we have many options to communicate nowadays, the U.S. Mail still provides a means of communications to many. Although the mailbox does not have the shine and look that it once had, this Choctaw artist identifies with its appearance as a symbol of strength, perseverance and reliability. Even though some of the letters are missing on the address, it adds to that previously mentioned character. It continues to withstand the elements, technology and time.

For more information for purchase, contact Paul at: pk.artz2012@gmail.com

"Wind Talkers" mali mihachi

During World War II, most heard of the Navajo Code Talkers that helped “win the war” by confusing the enemy as they communicated artillery commands through their native language. They were recognized as heroes for their efforts and allowed the American Indians a place in history. Not to take away from honoring the Navajos, but most people did not know that the Choctaw soldiers were Code Talkers in World War I. This illustration is my tribute to those Choctaw soldiers who served bravely and should also be recognized as heroes. This finally happened in 2013, awarding descendants with a Congressional Medal of Honor. American Indians including Choctaws were not allowed to vote until 1924 – although years before this they volunteered to fight for what they considered their country, land and people. According to tribal documents, there were 19 Choctaw Code Talkers: Albert Billy, Schlicht Billy, Mitchell Bobb, Victor Brown, Ben Caterby, Joseph Davenport, George Davenport, James Edwards, Tobias Frasier, Noel Johnson, Ben Hampton, Otis Leader, Solomon Louis, Pete Maytubby, Jeff Nelson, Joseph Oklahombi, Robert Taylor, Calvin Wilson and Walter Veach were told not to speak of their service, so they didn’t. They didn’t even tell their families, not looking for recognition. The men listed were part of the 36th Division (“Choctaws”). Originally, only eight men were recognized as Choctaw Code Talkers, but as the success of using their native language as a “code” was recognized, others were quickly pressed into service.

Western Heritage Collections, Oklahoma University, Permanent Collection

For more information for purchase, contact Paul at: pk.artz2012@gmail.com

The Art of Service

Choctaw "Code Talkers" utilized their native language to convey military strategies during World War I and II. Heroes for their dedication, they were officially recognized in 2013 with the Congressional Medal of Honor.

"At Peace" #UncleLoyd

At Peace is a tribute to all service men and women who have served our country, their sacrifice and the families that supported them. Uncle Loyd (Dyer) received this Purple Heart coin in a ceremony in April of 2013 while he lived at the Claremore Veterans Center in Oklahoma. He always had a smile for his brothers and sisters-in-arms as they would share how respected he was. As a soldier or a warrior from days past, he was proud of his service to our country. And now, he is at peace.

"Warriors of Peace" (Tvshka Nuktvla Vhleha)

This illustrates a band of brothers who fight through many obstacles to overcame great odds of opposition. The eagle is the symbol of strength and reflects the American Spirit. The 48-star flag serves as the link of all the elements and underlines these soldiers (or warriors) were involved in World War II. The words Tvshka Nuktvla Vhleha translates and serves as the title, Warriors of Peace.
© 2016. Paul King aka pkArtz. 18" x 24" Mixed media on art board
For art inquiries, please contact Paul at: pk.artz2012@gmail.com

"Choctaw Veteran" (chahta tashka sepokni)

Choctaws were always ready to serve others, defend our country and provide leadership whether in military or civilian life. This illustration tributes Choctaw Veterans that are also family relatives. Clockwise, top: Uncle William "Boy" Dyer (in front of his car); Uncle Leslie James (former councilman and tribal Judge) and his son Johnnie James; Uncle Loyd Dyer (Choctaw Veteran cap) shaking hands with former Chief Greg Pyle (Choctaw brother); Uncle Jack Dyer (pictured in front of Uncle Loyd); Joseph King (my dad) is centered in this picture; Larry King (my brother in the Air Force hat); and Edwin Dyer's marker (second cousin). It was an honor to tribute these men and acknowledge the women who served our military for the freedom we share.

For art inquiries, please contact Paul at: pk.artz2012@gmail.com

Patriotic Warrior #WWI

Inspired by the warrior spirit, this illustrates brave WWI Oklahoma Choctaw Code Talkers who served the US Army, as the first Americans to develop as system of communications to defeat the enemy of democracy. This is only part of their story.

For art purchase inquiries, please contact Paul at: pk.artz2012@gmail.com

"Wind Talkers" (mali mihachi)

During World War II, most heard of the Navajo Code Talkers that helped win the war by confusing the enemy as they communicated artillery commands through their native language. They were recognized as heroes for their efforts and allowed the American Indians a place in history. Not to take away from honoring the Navajos, but most did not know that the Choctaw soldiers were Code Talkers in World War I. Finally recognized in 2013, descendants were awarded a Congressional Medal of Honor. American Indians including Choctaws were not allowed to vote until 1924 – although years before this they volunteered to fight for what they considered their country, their land, and their people. According to tribal documents, there were 19 Choctaw Code Talkers: Albert Billy, Schlicht Billy, Mitchell Bobb, Victor Brown, Ben Caterby, Joseph Davenport, George Davenport, James Edwards, Tobias Frasier, Noel Johnson, Ben Hampton, Otis Leader, Solomon Louis, Pete Maytubby, Jeff Nelson, Joseph Oklahombi, Robert Taylor, Calvin Wilson, and Walter Veach were part of the 36th Division. They were told not to speak of their service. They did not.

For art inquiries, please contact Paul at: pk.artz2012@gmail.com

"Man of Reverence" #RevBertramBobb

Reverend Bertram Bobb (1924-2015) served the Choctaw Nation of Oklahoma by being appointed Tribal Chaplain in 1996. He served District 7 for 18 years as a Tribal Councilman. Reverend Bobb also served the Inter-Tribal Council of the Five Civilized Tribes Chaplain for 27 years, as well as serving religious communities in Antlers and Ringold, Oklahoma. He was a member of the Choctaw Code Talkers Association and instrumental in informing Congress to recognize the World War I Code Talkers.
© 2016. Paul King aka pkArtz. 22” x 28” Mixed Media on black art board
For art inquiries, please contact Paul at: pk.artz2012@gmail.com

"Chief Joseph" #NezPerce

Chief Joseph of the Nez Perce led his people who were forced to leave the Oregon Territory, their homeland, to Canada. During the long retreat, he won the admiration of many by his humane treatment of prisoners, his concern for women, children, and the aged. He also purchased supplies from ranchers and storekeepers rather than stealing them. The Army finally caught up with his people and Chief Joseph surrendered within 40 miles of Canada. In his surrender speech, he stated “Hear me, my chiefs; my heart is sick and sad. From where the Sun now stands, I will fight no more forever.” Chief Joseph and his band were sent to Indian Territory (Oklahoma) where many died. Later, a small delegation of his tribe was allowed to go to a reservation in Washington state. -Biography.com
© 1978. Paul King aka pkArtz. 17" x 23" Ink Wash on stretched muslin
For art inquiries, please contact Paul at: pk.artz2012@gmail.com

The Art of Sport

Illustrated collection of images relating to one of the artist's favorite subject, sports.

pkArtz: Art from A to Z

"Poppa Joe" #MikoJoe

Not all football players are the same in physical abilities but play with bigger hearts. This Oklahoma Choctaw played varsity ball as a 138 lb. halfback and shortstop at Bethel College, in McKenzie, TN. Joseph King graduated in 1943 as the first full-blood Choctaw to receive a bachelor’s degree from Bethel College. He also was the first full-blood Oklahoma Choctaw to receive his master’s degree from the University of Oklahoma, Norman, in 1948, after his military service in the US Navy as a Seabee (Naval Construction Force).
My sister, brother and I called him Dad.
©2019. Paul King aka pkArtz. 24” x 18” Graphite on art board
Inquiries for art purchases, contact Paul: pk.artz2012@gmail.com

Tvshka Chahta #sticks

Commissioned for the opening of the Choctaw Nation of Oklahoma’s Child Care Center, the TVSHKA (warrior) sticks were the initial element of this 3-D art piece. Stickball is a traditional game but honors our ancestors in resolving conflicts.
For me, this is visual legacy to my grandchildren.

©2021. Paul King aka pkArtz. 14” x 48” Acrylic on wood and masonite
Inquiries for art purchases, contact Paul: pk.artz2012@gmail.com

"Phases"

Stickball parallels life.
Players prepare for situations, both mentally and physically. They react to those situations, many times at a fast pace. They communicate in many ways, working with others for a common purpose. While the outcome may not always be in their favor, they know that effort needs to be at their maximum to be successful.
This illustration depicts our Choctaw/Creek cultures, with many traditions that continue to showcase our heritage through our young people. The artist was honored to meet the A.J. and Robert Briley who were featured as the true "faces" of "Phases".

“Bright Path” (Wa-Tho-Huk)

In 2024, I read an article in the Tulsa World that related so much to me about Jim Thorpe’s original home in Yale, Oklahoma. The family purchased the home from the Oklahoma Historical Society as the upkeep needed attention and OHS had limited funds to make those necessary repairs and updates. The family also created a Jim Thorpe Memorial Foundation seeking donations to provide funds to save the home. I contacted the foundation, and they were gracious to accept my framed print that is currently displayed in my home. It is my hope that my art is displayed in that home or may be used as a potential fundraiser, whichever they deem necessary for their needs.

For more information about their foundation and how you may assist, here is their website: Jim Thorpe Memorial Foundation

“Miko’s Mitt” #JosephKing

Joseph “Miko Joe” King (1912-1990) is Paul King’s dad. Miko (Choctaw word for King) has a story of accomplishment as he was orphaned early age. He was born in Haworth, a small town in southeast Oklahoma. That is significant as Miko Joe played college ball at Bethel College, McKenzie, Tennessee, completing his college career in 1943.
In addition to the academics of college life, Miko played varsity football and baseball. He was a shortstop and that is the reason the figures are illustrated into this 1940’s baseball mitt. The infield is in order as you would find them on the diamond, starting with third baseman on the left, next to Miko Joe.

"HOFMVPAS" #JohnnyBench

Johnny Bench, #5, Cincinnati Reds. National Baseball Hall of Fame, Cooperstown. 14-time All Star Catcher. Two-time National League Most Valuable Player. 10 Gold Gloves. #16 on The Sporting News list of 100 Greatest Baseball Players, the highest-ranking catcher. 389 career home runs. Binger-Oney High School Valedictorian, Binger, Oklahoma. In addition to those accolades, the artist added one more important honor: Johnny Bench is one-eighth Oklahoma Choctaw and was inducted into the First Americans Museum Hall of Fame.

"Skilled" #imponna

Stickball is the legendary game has been played for centuries and is also known as "the little brother of war". Stickball contests were used to settle differences or disputes from neighboring tribes. Competitions continue to this day as players use two sticks, cupping the leather ball and aim at goal post that is well defended. Early games had over 100 players on a team playing at one time. The competitors are half that number per team with offense (forwards), midfielders and defense being the primary positions. It is a fast-paced, physical game, with no padding, many not wearing shoes.

Original: Choctaw Nation of Oklahoma, Permanent Collection
©2005. Paul King aka pkArtz 20” x 16” Graphite on art board
Inquiries for art purchases, contact Paul: pk.artz2012@gmail.com

"Play Ball" #pkSelfie

This is my “selfie” in acrylic paint!
Baseball is and has been an important part of my life since age of 6. We did not have “tee-ball” or “machine-pitch” or “coach-pitch.” Baseball or later years for me, softball, is not about the wins (we do celebrate when that happens), but more about guys who have varied experiences on the ball field and still enjoy getting some exercise with camaraderie matched for the love of the game.

"Diamond Sunset" #ORUvOU

I have a passion for baseball, especially college baseball. When contacted by Oral Roberts University, I did not hesitate to take on the task of creating the featured art for the baseball team’s annual 2018 Diamond Dinner, fundraising event for ORU baseball. This view was taken during the game between Oral Roberts Golden Eagles and the Oklahoma Sooners. Play ball!

"The Boz" #44

The Boz aka Brian Bosworth, earned recognition for his play as an All-American linebacker for the Oklahoma Sooners. While Boz played with reckless abandon on the field to earn the respect of other players, that ego led to many disruptive instances off the field. After viewing the ESPN "30 for 30" feature, Brian shared his exploits to his son Max, and it enlightened me to create this illustration. The Boz was elected to the College Football Hall of Fame in 2016.

Original: Private Collection

"Derek" #TheCaptain

Derek Jeter played his professional career as a New York Yankee. Jeter is one of the artist’s favorite Yankees. The black background gives reflection to his years as a ballplayer which came to an end with retirement in 2014. This is a tribute to a ballplayer who also is a great role model, on and off the field. Good game, Captain!

"Boomer" #20

Billy Sims, 1978 Heisman trophy winner for the Oklahoma Sooners, used power and speed on the football field. His flamboyant style made him exciting to watch and helped Oklahoma to be a national contender in his four years as a Sooner. This illustration is a collage of Sims, showing his strength and agility. Billy liked the illustration and autographed the original.
©1985. Paul King aka pkArtz 16” x 20” Ink Wash on art board
Inquiries for art purchases, contact Paul: pk.artz2012@gmail.com

"Steve Davis" #5

Steve Davis led the Oklahoma Sooners to the national championship in 1974. He quarterbacked from 1972-1976 and lead the Sooners to a 32-1-1 record as the starter, holding the NCAA record for winning percentage in that position. He was a motivational speaker and became a college football commentator for ABC and CBS Sports telecasts. Sadly, he died in a plane crash in South Bend, Indiana in 2013. My 2-year-old son Keary, painted with a brush out that was left out. Taking what he painted, I was able to make the dust. It was our first collaborated piece!

"Casey" #King

Casey is my third oldest son. This illustrates when he was a beginning player at T-ball. These images of Casey in action show his focus on the field and the fun he had playing. He has always been active and gives 100% attention to all that he does. Now a dad, Casey coaches his daughters in softball and basketball and is a major fan in all they do. He’s a good dad!

"Kevin" #King

Kevin, second oldest of four of my grown sons, all played varsity sports in high school. Kevin was a good pitcher as well as a catcher, utilizing a strong arm. His contemplative view captured his image. Kevin is now a dad and coach’s competitive soccer, in anticipation and developing his two young daughters who are coming of age. He is a good dad too.

The Art of Family

Illustrating family is fun, reflective and on-going. With plenty of references, it is a challenge to schedule what family face or activity will be next to illustrate. This collection is just the beginning of what is in mind for this category.

pkArtz: Art from A to Z

"Joseph King" #MikoJoe

As a 138-pound halfback and shortstop, this full-blood Oklahoma Choctaw from Haworth, Oklahoma, was the first to receive his bachelor’s degree from Bethel College, McKenzie, Tennessee, in 1943. He accomplished the same feat at Oklahoma University, Norman, in 1948, following his military service in the US Navy (Seabees), with his master’s degree in education. His diploma and cover are part of the Western History Collections, University of Oklahoma, Norman.

His story begins as an orphaned child, raised in government boarding schools, Jones Academy, Hartshorne, Oklahoma, and Chilocco (Muscogee for “big deer”) Indian Agricultural School, Newkirk, Oklahoma. He accomplished much, overcoming many obstacles growing up. In fact, in 1985, he was recognized for his accomplishments by Chilocco, joining other notable alumni in their second class of the Chilocco Hall of Fame. Another notable name noticed in their HOF was Woody Crumbo, internationally known artist.

Upon graduation from Bethel College, he came back to Oklahoma to teach and coach at Eagletown, Keota, before becoming an employment counselor with the Oklahoma Employment Services. He retired as a field youth counselor for trouble youth in the Oklahoma Department of Human Services.

Honorable and outstanding. My sister, brother and I called him Dad.

"CHAHTA" #family

H: Malinda Labor Dyer (maternal great grandmother, deceased), Roll #14469, poses with Pearlie Wilson (great aunt, deceased), Roll #1156.

A: Talihina Indian Hospital (IHS), were King was born in 1949.

H: Willy, Roll #1155, and Amanda Dyer (maternal grandparents, deceased), Roll #7184, after church in Eagletown, Oklahoma.

T: Eagletown, time spent in the artist's “early years” as a Choctaw and of course, the emblem of the Choctaw Seal.

A: Rev. James Dyer (maternal great grandfather, deceased), Roll #1151 served as a delegate of the Choctaw Nation before statehood to the United States Congress.

This piece was also exhibited at the Smithsonian-North American Indian Museum in Washington, DC, in conjunction with the “Choctaw Days” in June, 2011.

At Peace #UncleLoyd

At Peace is a tribute to all service personnel who served our country. Their sacrifice, along with their families, allows our freedoms we share today. Uncle Loyd (Dyer) received this Purple Heart coin in a ceremony in April of 2013. He was residing at the Claremore Veterans Center, Claremore, Oklahoma, before his passing in 2015. As a soldier or a warrior from days past, Uncle Loyd was proud of his service to our country. Now he is “at peace.”

©2013. Paul King aka pkArtz20” x 16” Graphite and color pencil on art board

Inquiries for art purchases my contact Paul at: pk.artz2012@gmail.com

"Play Time" #pkSelfie

This “selfie” created in acrylic paint signifies my love of Baseball. From age 6 through college, it is a game a played. I now get to enjoy my grandchildren playing on the baseball and softball diamonds throughout the area.

"Generations" #GpaMomDadSons

This three-part graphite illustration begins with Grandpa Willie Dyer (left). Two memories are depicted in this illustration: 1.) When he put on a tie and his straw hat, he was either going to church or to a gospel singing. 2.) The words With my love, just Grand Pa was the way he always signed his letters and that was a fond memory. The illustration (top, right) of my parents, Madeline and Joseph, was drawn on a colored art paper and depicts their version of “glamour shots” in 1944, with him in his Navy Seabee uniform, prior to his deployment to France. The final piece is a self-portrait with two youngest sons, Cody (with the brimmed hat) and Casey (with the big smile) during fun times at Christmas. The Choctaw word “unchululi” is the title of this piece, “Generations.” The diamond pattern on each illustration is a Choctaw motif and is used throughout.

Casey #King

Casey is the third oldest son of the artist. This illustrates when he was a beginning player and t-baller. Painted with acrylics on canvas, these images of Casey in action indicates his focus on the field and the fun he had playing. He has always been active and gives 100% in all that he does. Now into his thirties, Casey coaches his daughters in softball, basketball and is a major fan in all they do.

Choctaw Veteran #ChahtaTashkaSepokni

Choctaws were always ready to serve others, defend our country and provide leadership whether in military or civilian life. This illustration tributes Choctaw Veterans that are also family relatives. Clockwise, top: Uncle William "Boy" Dyer (in front of his car); Uncle Leslie James (former councilman and tribal Judge) and his son John James; Uncle Loyd Dyer (Choctaw Veteran cap) shaking hands with former Chief Greg Pyle (Choctaw brother); Uncle Jack Dyer (pictured in front of Uncle Loyd); Joseph King (my dad) is centered in this picture; Larry King (my brother in the Air Force hat); and Edwin Dyer's marker (second cousin). It was an honor to tribute these men and also acknowledge the women who served our military for the freedom we share.

Kevin #King

Kevin, second oldest of four sons that are now grow men, with all four of my sons played varsity sports. This illustration shows Kevin in action as he was a very good pitcher as well as a catcher, utilizing a strong arm he always possessed. His contemplative view captured his image well. Created in acrylic on canvas, Kevin now in his late thirties and coach’s competitive soccer, in anticipation and developing his two young daughters coming of age.

"W2NY"

Traveling to New York City provided many photo opportunities. Utilizing those images created this acrylic painting validating the trip. The words Welcome to New York (W2NY) were neon letters above the elevators at the Empire State Building. Being on the deck of that building gave an excellent panoramic view of NYC. Times Square is represented by the Minolta/Pepsi signage on the vertical building which blended with the Statue of Liberty and the Twin Towers. On a ferry to Ellis Island, mother and children are playing to the camera. Being a Yankees fan, the favorite moment in visiting New York was to be in the original Yankee Stadium (the one that Ruth built). Sitting directly behind home plate afforded the opportunity to take a series of photos to get the full field effect. A self-portrait is pictured in front of the NBC studios logo.

The Art of Community

We are on this earth to support, assist and help each other, we cannot do it by ourselves. This is what the artist believes and implemented during his years as an educator and continues that philosophy to this day. Art is a great way to communicate. It is also a way that those talents may help others. Posted on this page will be art that is used to help others. By serving on community non-profit boards and committees, Paul believes that if his time and work is able to promote others and those causes, his perception of helping others will be successful.

pkArtz: Art from A to Z

Oklahoma #TTEF

OKLAHOMA is one of two in a series that I donated to the TTEF “Tailgate” for purposes of auction. Thinking about what represents Oklahoma, nature came to my mind. The Oklahoma flag in the shape of a sphere is unique and caught my eye as I researched Oklahoma icons. The flag with the Osage shield also represents the 39 federally recognized American Indian nations that call Oklahoma home. The Oklahoma sphere is backed by nature of Turner Falls. The American Bison, docile unless provoked, is a favorite animal I enjoy studying.

Inquiries for art purchase/prints, contact Paul at: pk.artz2012@gmail.com

Tulsa #TTEF

TULSA is one of two in a series that I donated to the TTEF “Tailgate” for purposes of auction. Tulsa icons that are most relatable are pictured. The Tulsa Golden Driller stands on the grounds of the Expo Square where many national events are held. The perspective emphasizes the massive size of this 75-foot landmark that was first built in 1952, with another version erected in 1959, with the final version installed in 1966. That image blends into the Tulsa Flag. The blue field symbolizes the Arkansas River, the gold horizontal line represents the 1901 discovery of oil (black gold) that provided commerce, the shield represents American Indian nations force to relocate to Oklahoma, the red circle signifies bloodshed and lives during the 1921 Tulsa Race Massacre which destroyed Black Wall Street, and the beige star in the center represents Tulsa’s bright future, and the beige field signifies the warmth of the Tulsa community . The flag was adopted in 2017. The final image is the Tulsa skyline that banks the Arkansas River and symbolizes many aspects such as, the nationally known Gathering Place, and events that brings Tulsans and visitors together.

Inquiries for art purchase/prints, contact Paul at: pk.artz2012@gmail.com

Awesome 80's for TTEF

Tulsa Tech Education Foundation annual fundraising event for student scholarships at their Party for a Purpose. Awesome 80’s was created for the live auction. I am pleased to share that five scholarships were raised from its sale. The content includes 80’s icons that I related to in creating this acrylic painting. From Michael, including Tina, Bruce, Clint, to Ghostbusters, MTV, Rubik’s Cube, Pac-Man, to the image of local sports hall of famer, Steve Largent, who wore #80 with the Seahawks. The background is filled with 80’s slogans to reminisce those days.

Inquiries for purchase, please contact Paul: pk.artz2012@gmail.com

“Select a song…
Make mine, A7”

This jukebox provides a collection of memories from, “Sweet Little Sixteen,” “Jailhouse Rock,” “Y.M.C.A,” “Good Vibrations,” “Purple Haze,” “Here Comes The Sun,” “With A Little Help From My Friends,” can be heard from this rock of all ages painting. Through generations of musical history, one may recall their youth and the days of enjoyment. “A7” refers to the seven musical elements that are featured, but the jukebox ties all the pictorial elements together.

There are so many musical artists I could draw from, but with these, my 13 YO granddaughter told me this is her favorite of all of my paintings. That endorsement means a lot to me! I created this for the Tulsa Tech Education Foundation for student scholarships. It raised enough for six students to benefit, another blessing.

Inquiries for art purchase, contact Paul: pk.artz2012@gmail.com

Bomber Monster Bash

Poster for travel softball team fundraiser

TVSHKA #Sticks

Commissioned for the opening of the Choctaw Nation of Oklahoma’s Child Care Center, the TVSHKA (warrior) sticks were the initial element of this 3-D art piece. A diamond pattern was established for the stick handles and carried to the background cutout. Blue and purple were used as symbolic Choctaw colors. The Child Care Center requested the Choctaw Seal be incorporated into the design.
For me, this is a visual legacy to my grandchildren.

©2021. Paul King aka pkArtz
14” x 48” Acrylic on wood and Masonite

Inquiries for art purchase, contact Paul: pk.artz2012@gmail.com

Choctaw Spirit

Painted on a weathered windowpane provides a look from the past into the future. This will be on display in the main lobby of the Choctaw Nation’s Child Care Center, Durant, Oklahoma. The Choctaw pony represents life renewed. The Choctaw youth dancers emulate traditions, unity and the sharing of culture and family. The letter signed “Love Always, G’Pa” is a message from any grandparent to their grandchildren. Specifically, It relates to me and my seven grandchildren.

©2021. Paul King aka pkArtz
29” x 16” Acrylic on glass; Graphite on art board

Inquiries for art purchase, contact Paul: pk.artz2012@gmail.com

TAG: Tigers Achieving Greatness

“Concept Paintings: TAG Live Paint”

Three acrylic paintings narrowed down to one. “Luksi Chahta” (Choctaw Turtle) was chosen as the paint model for a live paint with students and parents of TAG, supported by the Indian Education Department of the Talihina Public Schools. The Luksi was inspired by a Christmas ornament from Choctaw Nation of Oklahoma. This turtle reflects the Choctaw spirit, strength and perseverance. The four background panels signify the four seasons of Life: Spring (infancy); Summer (youth); Fall (adulthood); Winter (elders).

“The Eyes of the Tiger” TAG… You’re It! and “Rays of Hope” were two practice paintings to see if the artist could complete in a two-hour format and still be able to interact with student painters. With these two paintings exceeded that time-frame. In addition, the artist liked the third painting of the turtle the best.

“Luksi Chahta” and “Rays of Hope” originals are available for purchase. “The Eyes” will be gifted to TAG.

Inquiries for art purchase, contact Paul: pk.artz2012@gmail.com

"4U" #leonrussell

Leon Russell (born Claude Russell Bridges; April 2, 1942 – November 13, 2016) was a songwriter who was involved with numerous bestselling pop music records during his 60-year career. His music was a key in the Tulsa Sound. His recordings earned six gold records and two Grammy’s. In 2011, he was inducted into both the Rock and Roll Hall of Fame and the Songwriters Hall of Fame.
I was inspired to create this illustration after going to the dedication of the grand piano Russell played during his days as a student at Rogers High School. It was an 83-year-old piano that was restored in his honor. His influence and music will always remain timeless.

The original was created for graphic design student scholarships for OSUIT/Okmulgee and was purchased by one of my dear friends.

© 2019. Paul King aka pkArtz. Graphite and Color Pencil on art board. 16” x 20”

Inquiries for art purchase, contact Paul: pk.artz2012@gmail.com

"Classice 50 Years" #deltachidelta

Celebrating 50 years since the formation of the Delta Chapter of Delta Chi Delta social fraternity that was chartered on December 11, 1969 by 13 charter members.
The art was created by one of those charter members was the artist, Paul King. It was used for signage and a one-of-a-kind t-shirt. King was a fine art major and created this shirt design with thoughts of posters he had designed that provided extra spending money while attending Southeastern. The type was developed by remembering those psychedelic posters once created for friends. The theme for this year’s event, Delta Chi Delta “We’re Still Here!”, referred to those college days when we were and still are. The pledge paddle was a source of pride to pledges; the wagon was an actual Conestoga-style wagon that was refurbished in fraternity colors (burgundy & gold) and became a symbol of the fraternity at football games and homecoming parades. At one time, Delta Chi Delta was the largest fraternity on campus. DXD was also likened to the 1978 movie, National Lampoon’s “Animal House.” If you recall that movie, you know we had a good time.

For more information, contact Paul at: pk.artz2012@gmail.com

ORU “Diamond Dinner” 2019 #ORUBaseball

The college baseball community is a family. This is evidenced by the 2019 Oral Roberts University Diamond Dinner that supports scholarships for the baseball team. The six hand-painted baseballs were highlights of the 2018 ORU Golden Eagles season. The baseballs featured: 6 Golden Eagles being drafted by Major League teams; ORU has won the Summit League Championship for 19 years in a row, dating back to 1999; ORU was selected for the NCAA Championship Playoffs at the Arkansas Regional, which also included Dallas Baptist and South Dakota State. Noah Cummings is the current record holder with 200 RBI for ORU hitters; Ryan Folmar earned is 200th win as ORU’s Head Coach in 2018; and ORU “swept” the OSU Cowboys (ranked #12 in the nation at the time) in their home-and-home series: 10-5 and 6-5. It was a good year for ORU Baseball. Paul King was pleased to be part of raising funds for the Golden Eagles baseball team with his painted one-of-a kind highlight baseballs.

Custom painted baseballs may be purchased from pkArtz.

Inquiries for art purchase, contact Paul: pk.artz2012@gmail.com

"My Cleats, My Cause" #MarchofDimes

King has served with the March of Dimes since 2005 as a community volunteer, so it was easy for him to create this artwork in support of the March of Dimes. Their mission is to educate and provide funds for research concerning pre-maturity and healthy babies!

Paul was contacted by Tyler Ott, Seattle Seahawks deep snapper, who graduated from Jenks High School and Harvard University. The connection is, it was his mom who introduced King to become involved with the March of Dimes. Laurie Applekamp made a presentation at his school when he was the Coordinator of Student Activities at Tulsa Tech. Her message was so impactful that it motivated King to introduce that mission to his Lemley Campus student body. The students took to it immediately as many knew or were “preemies” themselves. The students raised funds for medical research and participated in March of Dimes community events.

In 2018, more than 800 NFL players will showcase causes that are important to them with custom cleats during all Week 13 games, as part of the NFL’s “My Cause, My Cleats” campaign. Every cleat tells a story and Tyler’s cleats are a dual tribute to the March of Dimes and to his mom, the State Director for the Oklahoma March of Dimes.

For more information, contact Paul at: pk.artz2012@gmail.com

"Concert for a Cause" #TTEF2019

Promotional poster for the Tulsa Tech Education Foundation (TTEF) fundraiser for student scholarships. The concert featured the well-known “The Fabulous Mid Life Crisis Band”, Tulsa. Besides being a fun event at the historic Oklahoma Jazz Hall of Fame, the “Concert for a Cause” raised awareness about the Foundation as well as providing funds for Tulsa Technology Center students.

Funds raised by the Tulsa Tech Education Foundation, a 501(c)3 organization, are distributed to students based on need as well as educational career accomplishments.

Serving on the TTEF Board of Trustees, King is gratified with the combined efforts of community leaders, alumni and fellow retired educators who serve on this board. While the facilities of Tulsa Tech are first-class, some students still have financial difficulties just getting to class. This is the mission of the foundation, to support those students and award them for their efforts. Paul is glad to support those efforts, not only with his art, but also with servitude hours and financial support.

For more information about the Tulsa Tech Education Foundation, please visit our website: www.ttef.net

"Legacy" #Southeastern

Southeastern Oklahoma State University, Durant, offered me an opportunity to give back through their scholarship program. Having received a Bachelor of Fine Arts degree in 1972, I utilized my education towards becoming a graphic designer. In this painting, you may see elements of campus life at Southeastern. From our past to our present, and even into the future, students at Southeastern can attain their career goals, just as the artist did. In the American Indian culture, to receive an eagle feather signifies respect, honor and bravery, which is a focal point of this painting. The moon and the eagle symbolize all Indian nations (I am an Oklahoma Choctaw) enhances this design. Morphed into the feather, one can see a baseball player (Southeastern has a storied history); an actor/dancer representing the fine art programs; game-day football is always a fun campus event; and the aviation program is nationally recognized. Bolt, the team mascot, advises the opposition to “take cover”; student-athletes showcase their skills and landmarks, such as the trio-columned signage at the entrance of the campus. The collegiate rodeo team brings distinction to the university. Alumni and current students are pleased to continue traditions and develop ideas to this diverse and advancing university.

Copyright 2018, Paul King. 12” x 36”, acrylic on canvas.

Inquiries for art purchases, contact Paul: pk.artz2012@gmail.com

Oklahoma SkillsUSA

SkillsUSA’s mission is to empower its members to become world-class workers, leaders and responsible American citizens. SkillsUSA improves the quality of America’s skilled workforce through a structured program of citizenship, leadership, employability, technical and professional skills training. SkillsUSA enhances the lives and careers of students, instructors and industry representatives as they strive to be champions at work. SkillsUSA serves more than 300,000 students and instructors annually. The organization has 13,000 school chapters in 54 state and territorial associations. More than 14,500 instructors and administrators are professional members of SkillsUSA.

King serves on the Oklahoma Alumni & Friends Association Board of Directors as a founding member (2011) and one of the activities of the association is to host a live auction to fund the Oklahoma Summer Leadership Institute (SLI) student scholarships at their annual state conference. This hand-painted softball is part of several items donated for this cause, to allow deserving students a chance to improve their employability and life skills.

Inquiries for art purchases, contact Paul: pk.artz2012@gmail.com

"SkillsUSA: Thunder Time"

This design became a t-shirt used by Oklahoma SkillsUSA to commemorate “SkillsUSA Night” with the OKC Thunder. 100 alumni and friends enjoyed a win as the Thunder dominated the LA Lakers.

"Eagle" Oklahoma SkillsUSA

This baseball was designed and hand-painted as an auction item for SLI student scholarships associated with Oklahoma SkillsUSA. Summer Leadership Institute (SLI) is a week-long leadership “summer camp” for selected individuals to attend from across the state. District Officers are selected to serve as student leaders, with the State Officer Team providing the lead role in hosting the institute. It’s an opportunity to network, attain certification as a Statesman, develop teamwork through a variety of activities, enjoy social activities, and put their leadership talents to the test in contests. It is a life-changing week for many of these students.

Inquiries for art purchases, contact Paul: pk.artz2012@gmail.com

"Night @ the Ballpark" 2016

T-shirt design for 80+ SkillsUSA alumni & friends attending a Tulsa Drillers AA Minor League baseball game as part of the Oklahoma SkillsUSA's Program of Work: Social Activity.

For more information, contact Paul at: pk.artz2012@gmail.com

Max J. King: Wall Graphics

Having experience as a sign painter beginning in college (helped pay the way), that experience brought this concept to life on the wall of his grandson’s playroom wall. Max is the only grandson joining five granddaughters that carry the King name, for now. Max’ logo centers on the 50-yard line and he shows his appreciation with ‘that’ smile.

For more information, contact Paul at: pk.artz2012@gmail.com

"Charles Page"

Originally an illustration used for note cards for the Sand Springs Chamber of Commerce, this pen and ink drawing pictured the monument on the city triangle that honored the founder of Sand Springs, Charles Page.

Inquiries for art purchases, contact Paul: pk.artz2012@gmail.com

"Sandlot Series"

Custom painted or creatively designed by the artist, the Sandlot Series captures art and type on a baseball. The leather surface on a Rawlings baseball (Official League) makes an excellent surface to apply acrylic paint. The art/type is then varnish for a protective finish. This curved canvas provides the artist the combination of two passions: baseball and art and he has been painting baseballs since 1986.

For more information, contact Paul at: pk.artz2012@gmail.com

Art of Survival

Cultural history is the reason these Choctaw ponies are an important part of the artist’s Choctaw heritage. Witnessing these Colonial Spanish mustangs who roam free in pastureland at several locations in Southeastern Oklahoma, it is important to preserve them as a pure-breed. In 2014, the Oklahoma Legislature declared the ponies as Oklahoma's Heritage Horse. These ponies (mustangs) traversed miles carrying survival supplies, the elderly, the women and the young during the infamous "Trail of Tears", the forceful removal of Choctaws from Mississippi to Indian Territory (Oklahoma). Not only are these mustangs a visual and financial cause of the artist, he believes in the preservation of earth and all that rests on it. American buffaloes (bison) are majestic yet docile beasts, eagles are a symbol of strength and freedom and provide favorite subjects as well.

pkArtz: Art from A to Z

MIA #MissingInAmerica

To not know, to fight injustice, to reunite indigenous families, this is my message to continue bringing loved one’s home when that is possible. It is important to continue the search for missing persons, provide awareness of this dilemma, and bring justice to this problem.

The letters MMIW (Missing and Murdered Indigenous Women) and MMIP (Missing and Murdered Indigenous People) in the background provides for a visual impact to MIA, the foreground image that also represents Missing In America, in my work.

Inquiries for purchase, please contact Paul: pk.artz2012@gmail.com

1000 Words #KatieOsage

Katie Osage (1873-1985) is a true Oklahoma survivor, living in a tent, cooking on an open fire, and living her traditional ways to be 91 years old. This illustration reflects the strength of Ms. Osage, an Oklahoma Cheyenne who is a great paternal grandmother of my two Tahlequah cousins. She also moved with the times as indicated with the headphones, listening to her own voice from an interview she did with an Oklahoma City television station who featured her in 1975.

1000 Words is part of the first Choctaw Nation Art Show at the Cultural Center in Durant (2023).

Inquiries for art purchase my contact Paul at: pk.artz2012@gmail.com

Seasons of Luksi #ChahtaTurtle

Luksi (turtle) is patient, travels with purpose, does not attack but defends within its shell. Strength and grit are other well-known traits. On its shell is a ring of sticks battling for the ball in the center of this stickball star. Stickball is a traditional game of the American Indians.

The four background panels symbolize the four seasons of life: Spring (green) signifies Infants, Summer (light blue) denotes Youth, Fall (yellow), to Adulthood, and Winter (dark blue) represents our Elders.

The diamond in the background represents the pattern of the diamondback rattler. Strong believers in nature, Choctaw artists use the diamond motif in our designs. Relating to the rattler, Choctaws remain calm but if provoked, they will defend. The Luksi is traveling on the diamond-pattern trail, which could also indicate the path of peaks and valleys (diamonds), along the rivers and creeks (border lines). The Luksi is moving forward while not forgetting where it came from.

Inquiries for art purchase my contact Paul at: pk.artz2012@gmail.com

A, Chahta sia.

Yes, I am Choctaw. The American Bison is symbolic of American Indians, which is the focal image of this illustration, filled with multiple images of my Choctaw heritage. A WWI warrior, Joseph Oklahombi, a reed basket of my grandmother, the red warrior statue in front of the Cultural Center/Museum, stickball players, leaves of my parents, grandparents, and great grandparents at the Oklahoma Historical Museum in Oklahoma City, a painted baseball, my version of art on a curve, are identified within the bison.

Drawing Division: First Place, Choctaw Nation 2023 Art Show

Cultural Center, Durant, OK

Inquiries for art purchase my contact Paul at: pk.artz2012@gmail.com

Rays of Hope #ChahtaHistory

Clockwise, images of Choctaw roots comprise this painting:
• Choctaw Pony aka Spanish mustangs: brought Choctaws from Mississippi homelands to Indian Territory aka Oklahoma during the “trail of tears and death.”
• Open Book is the belief in education and reverence.
• Stickball indicates physical strength and teamwork.
• Footprints with graphic tears symbolizes a port of entry at Eagletown, for the Choctaw Removal
• Corn provides nourishment and care for nature
• Cross reflects the belief in a higher power
• 1830 signifies the Treaty of Dancing Rabbit Creek, generating the Choctaw Removal
• Spirited, Educated, Strong, Resilient, Progressive, Survivors, represent who we are
• The Choctaw Seal is the focal point that all the elements are directed: smoking pipe-hatchet, three arrows, unstrung bow, symbolize the Choctaw as peaceful people, ready to defend when necessary
©2022. Paul King aka pkArtz. 22” x 28” Acrylic on canvas
Inquiries for art purchases, contact Paul: pk.artz2012@gmail.com

"Buffalo Tribute" #yannash

American buffalo (bison) represent power and perseverance. This parallels the Choctaw Nation of Oklahoma. Forced to leave the Mississippi homelands in the 1800’s, Choctaws reestablished their lives in Indian Territory (Oklahoma). The buffalo was almost extinct. The same could have happened to the Choctaws during their forced removal. Both have overcome much and are stronger and thriving today.
©2009. Paul King aka pkArtz 16” x 20” Acrylic on canvas

Inquiries for art purchases, contact Paul: pk.artz2012@gmail.com

"Freedom"

The American Bald Eagle is majestic with other qualities that include strength, grace and endurance. “Freedom” means that though there are many difficulties and conflicts, if we persevere, we will be stronger. As the bald eagle almost faced extinction, it has persevered and lives in abundance. It’s a great day seeing an eagle in flight or peacefully perched.

"Buster" #ChoctawPony

“Dream a Pony, Wake a Spirit” authored by Sarah Silver, illustrated by Paul King. The book is set in the 1900-1907 and is based on the author’s stories as told by her father of his boyhood days before statehood. The illustration is a wrap-around book cover that was published in 2015. The artist’s participation in this project benefits the ponies directly, as a portion of the sale of the book goes to the care of the ponies, with food and supplies. These mustangs were declared the Official Heritage Horse of Oklahoma on March 5, 2014 by the Oklahoma Legislature.

"Living Legacy" #IsubaChahta

Ranchers Bryant and Darlene Rickman, of Soper, Oklahoma inspired this painting. They are taking the lead in preserving the Spanish mustangs’ bloodlines, an important part of Choctaw and Oklahoma history.
Note a carving in one of the fence posts with the letters, “ISUBA CHAHTA”, translated would be Choctaw Pony. Ancestors of these horses came to Indian Territory during the US Government’s forced removal of Choctaws from Mississippi.

Survivors #ChahtaPonies

The United States Government’s forced removal was historic to the American Indian culture and Oklahoma history. The Choctaws were subtracted from their Mississippi homelands and made their way via the “trail of tears” to Indian Territory (I.T., Oklahoma). Spanish mustangs were part of the Choctaw culture and carried them to I.T. Present day Choctaw ponies roam free in southeastern Oklahoma. True survivors.
©2015. Paul King aka pkArtz. 10” x 8” Scratch art/color pencil on mat
Inquiries for art purchases, contact Paul: pk.artz2012@gmail.com

The Art of Indian Heritage

Reflection of oneself gives you a better perspective of people, places and events that define who you are. Learning about one's culture, heritage, family, makes you appreciate your existence on this earth.

pkArtz: Art from A to Z

1000 Words #KatieOsage

The old saying, “a picture is worth a thousand words,” is appropriate for my illustration of Katie Osage (1873-1985, Oklahoma Cheyenne). She is listening to her recorded voice during a break in filming a documentary on the Cheyenne/Arapaho in Oklahoma City, OK, in 1975. Her facial expression tells its own story, her travels, her experiences, the events of a full life lived, and compares today’s technology meeting yesterday’s past. I also discovered from my second cousins that Ms. Osage is their great grandmother.

1000 Words is part of the first Choctaw Nation Art Show at the Cultural Center in Durant (2023).

Inquiries for art purchase my contact Paul at: pk.artz2012@gmail.com

MIA

MIA represents Missing in America. It is an art statement that needs to be shared and addressed. The red hand is the symbol of Indigenous people that impacts those that are missing and murdered. MMIW [Missing & Murdered Indigenous Women] and MMIP [Missing & Murdered Indigenous People] leads the effort to find hope in the return of loved ones to families.

Inquiries for purchase, please contact Paul: pk.artz2012@gmail.com

"OKLA HUMMA" #gourddancers

With the concept of defining this image, the artist took it literally by creating the background to simulate a page from “A Dictionary of the Choctaw Language,” written by Cyrus Byington (1793-1868). By translating OKLA (people) HUMMA (red) from Choctaw to English, it became the name of our state, Oklahoma. It first appeared as Oklahoma in an 1866 Choctaw treaty.
The Choctaw gourd dancers represent warrior veterans who served our country. It’s the American Indian way, to defend and serve. The diamond pattern represents the pattern of the diamond back rattler that symbolizes the respect of nature. The concept comes from ledger art, only using a simulated page from the Choctaw dictionary.

©2019. Paul King aka pkArtz
18” x 24” Gouache on art board

Inquiries for art purchases my contact Paul at: pk.artz2012@gmail.com

"Tvshka Chahta" #First Feather

The Choctaw words on sticks read “TVSHKA” (warrior) and “CHAHTA” (Choctaw), title this piece. Bands of color wrap the sticks. Within the negative space are 10 ½ diamond shapes that represents the counties that comprise the Choctaw Nation of Oklahoma.

The feather is an indication of honor and respect. It also refers to an eagle feather given to King from a Choctaw elder, who honored King for his artistic ability in promoting the Choctaw culture.

The hand-stitched ball is authentic. The meaning of the individual sticks is the purple painted stick (Chahta) represents the mother. The blue stick (Tvshka) represents the father. The ball represents the child. When playing the game, Chahta carries the ball, releasing the ball to score the goal and Tvshka protects the ball when in tight battles. Stickball is also known as “little brother of war” as disputes are settled on the battlefield through fast-paced strategies.

©2018. Paul King aka pkArtz
12” x 36” Acrylic on wood and burlap

Inquiries for art purchases my contact Paul at: pk.artz2012@gmail.com

"HOFMVPAS" #JohnnyBench

Johnny Bench, #5, Cincinnati Reds. National Baseball Hall of Fame, Cooperstown. 14-time All Star Catcher. Two-time National League MVP. 10 Gold Gloves. #16 on The Sporting News list of 100 Greatest Baseball Players, the highest-ranking catcher. 389 career home runs. Binger-Oney High School Valedictorian, Binger, Oklahoma.

In addition to those accolades, the artist added one more important honor: Johnny Bench is one-eighth Oklahoma Choctaw.

©2018. Paul King aka pkArtz
20” x 24” Color pencils and graphite on art board

Inquiries for art purchases my contact Paul at: pk.artz2012@gmail.com

“Bright Path” (Wa-Tho-Huk)

Jim Thorpe’s athletic career covered many years and many sports . King was selected by the Greater Tulsa Indian Art Festival to illustrate the poster for the festival's theme of “Honoring Native American Athletes”. The first person who came to King’s mind was the greatest athlete in the world as proclaimed by the King of Sweden at the 1912 Olympic Games, Jim Thorpe. The original was sold and benefitted scholarship funds for American Indian students. In addition to the Indian Art Festival, a framed, full-sized print was sold at the 2017 OSUIT “ArtPlus” for graphic design student scholarships.

©2017. Paul King aka pkArtz
24” x 36” Graphite on art board

Inquiries for art purchases my contact Paul at: pk.artz2012@gmail.com

"Phases"

Stickball parallels life.

“Phases” garnered the Best of Show at the 2017 Choctaw Nation Art Show, in conjunction with the annual Labor Day Festival at the historic Choctaw Nation of Oklahoma Museum and Council House, Tuskahoma, Oklahoma. Choctaw artists from across the country submitted works to this 11th annual juried show. The artist was honored to meet the A.J. and Robert Briley who were featured as the true "faces" of "Phases".

©2017. Paul King aka pkArtz
22” x 28” Color pencils and graphite on art board

Inquiries for art purchases my contact Paul at: pk.artz2012@gmail.com

"Man of Reverence" #RevBobb

Reverend Bertram Bobb (1924-2015), served the Choctaw Nation of Oklahoma by being appointed Tribal Chaplain in 1996. He served District 7 for 18 years as a Tribal Councilman. Reverend Bobb also served the Inter-Tribal Council of the Five Civilized Tribes Chaplain for 27 years, as well as serving religious communities in Antlers and Ringold, Oklahoma. He was a member of the Choctaw Code Talkers Association for 20 years and was instrumental in informing Congress to recognize the World War I Code Talkers.

This gives you an idea of who Bertram Bobb was. In this illustration, the artist sought to create a respectful image as a tribute to this spiritual leader of the Choctaw Nation of Oklahoma. The focal point of his portrait in the center portrays his strength of character, his vision for the Choctaw people he led and the sincerity he shared. The white hat was symbolic of his passing, the dove representing peace and his life as a messenger of his faith. The Bertram Bobb Chapel at Tuskahoma is illustrated in the lower right corner, with the starry night background pulling all of the illustrated elements together. You may notice the star that is in the shape of a cross, placed in the line of vision of Reverend Bobb.

©2016. Paul King aka pkArtz
22” x 28” Color pencils and graphite on art board

Inquiries for art purchases my contact Paul at: pk.artz2012@gmail.com

“Grandma Missy” #1890-1961

Grandma Missy is an original enrollee and a survivor of the infamous Trail of Tears, the U.S. Removal of Mississippi Choctaws to then Indian Territory (Oklahoma) in 1902. She is a grandmother of a friend of the artist from Ardmore and was a homemaker, gardener, cook, quilt maker and mother of three children. She made quilts out of necessity to keep the family warm during the Removal, but continued to make them as life adjustments improved. She made quilts as presents, using scraps of old shirts and dresses. Her strength came from her faith in God. Grandma Missy cooked, cleaned and continued her quilt making until just a couple of months prior to her death. The artist believes this illustration relates to a lot of us who had grandmas who quilted and provided for her family needs.

©2016. Paul King aka pkArtz
16” x 20” Color pencils and graphite on art board

Inquiries for art purchase my contact Paul at: pk.artz2012@gmail.com

"Bridgette" #Kelly

Art techniques provide variety and depth in their appearance. This illustration was created by utilizing parallel lines on the main subject, Bridgette. The cross-hatching line technique in the background allows for contrast and highlights the figure. Used as a demonstration piece included in the artist’s illustration curriculum as a graphic design instructor, Bridgette was also a former student who was a fashion model for an American Indian clothing line. She is very photogenic and the style of clothing she chose to model enhanced this composition. This piece was also exhibited at the Smithsonian Institute, North American Indian Museum, Washington, DC, in conjunction with the “Choctaw Days” in June, 2011.

©1985. Paul King aka pkArtz
10” x 12” Pen and ink on art board

Inquiries for art purchase my contact Paul at: pk.artz2012@gmail.com

"Chief Joseph"

Chief Joseph, Chief of the Nez Perce, lead his people when forced to leave the Oregon Territory. He decided to lead his followers to Canada. During the long retreat, he won the admiration of many whites (he was educated in a mission school) by his humane treatment of prisoners, his concern for women, children, and the aged. He also purchased supplies from ranchers and storekeepers rather than stealing them.”

The Army finally caught up with his people and Chief Joseph surrendered within 40 miles of Canada. In his surrender speech, he stated “Hear me, my chiefs; my heart is sick and sad. From where the Sun now stands, I will fight no more forever.”

©1978. Paul King aka pkArtz
17” x 23” Ink Wash on muslin

Inquiries for art purchase my contact Paul at: pk.artz2012@gmail.com

"Champions"

From the artist’s photographs of a Mohawk Park pow wow provided this montage. The full color of the young dancer’s regalia and the drummers/singers in graphite provides a nice contrast. In 2004, the Choctaw Nation of Oklahoma sponsored their inaugural art show to showcase Choctaw artists and craftsmen from across the United States. “Champions” was honored to be accepted to that ‘first-ever’ show and received a third-place ribbon. The thought to enter the competition wasn’t about winning, it was the thought to be a part of Choctaw history. “Champions” was also exhibited at the Smithsonian Institute, North American Indian Museum, Washington, DC, in conjunction with “Choctaw Days” in June 2011.

©2004. Paul King aka pkArtz
16” x 20” Color pencils and graphite on art board

Inquiries for art purchase my contact Paul at: pk.artz2012@gmail.com

"Navajos 3"

This illustration was created for classroom instruction by the artist. “Tell me and I forget, teach me and I may remember, involve me and I learn.”
― Benjamin Franklin

It was demonstrated and created to show the use of negative/positive space and the technique of applying ink and water with the use of a brush to a surface. This technique, known as “ink wash,” allows for subtle changes to be made by adding more or less water with India ink for the final image. This technique was chosen to emphasize the faces. Navajos are commonly recognized culturally by their jewelry and turquoise. These jewelry items were added to enhance the facial images of these “3.”

©1970. Paul King aka pkArtz
16” x 20” Ink Wash on art board

Inquiries for art purchase my contact Paul at: pk.artz2012@gmail.com

"NM"

This collage of images provides the viewer a transition of visuals that could be found in New Mexico, or “NM.” An “ah-ha” moment happens seeing the silhouette of face looking to the right and creating a background for all of the other elements. Perhaps one could envision that this is the male figure that is associated with the young lady. Or perhaps it is the parental figure of both the young lady and the fancy dancer. That is what I like about art illustrations; interpretation is in the eye of the beholder. With the landscape of their village and sky indicating the dawning of a new day, this piece utilizes the interacting elements of negative space to enhance the positive special images.

©1978. Paul King aka pkArtz
12” x 24” Acrylic on canvas

Inquiries for art purchase my contact Paul at: pk.artz2012@gmail.com

"Seminoles 3"

A study of the Seminoles and their colorful, traditional attire inspired this painting. Certainly with the contrast of young and old and the individual style of clothing of all three provides a good contrast. The artist enjoys capturing the expressions of facial features, young and old, inquisitive or stoic.

©1978. Paul King aka pkArtz
36” x 18” Acrylic on canvas

Inquiries for art purchase my contact Paul at: pk.artz2012@gmail.com

"Will" #Rogers

Several symbols of Oklahoma are illustrated in the pen and ink technique. The state bird is the Scissor-tail Flycatcher; the Osage shield that adorns the Oklahoma flag; and Will Rogers, a favorite son of Oklahoma, was a Cherokee. A variety of line art techniques are used in the piece: stippling (pen point dots placed closer together provides a darker area; farther apart lightens the area) in the Scissor-tail. Parallel lines in the Osage shield, the letters “WILL” and the graphics band on the right side provide variety and contrast. The shadow-image technique was used in the portrait of Will Rogers serves as the focal point with its high contrast. Working with type has always been a favorite of the artist. “Will” was exhibited in the Tulsa International Mayfest Invitational Gallery and permanently hangs at Oklahoma State University, Institute of Technology, Okmulgee, at the Student Union.

©1998. Paul King aka pkArtz
12” x 16” Pen and ink on art board

Inquiries for art purchase my contact Paul at: pk.artz2012@gmail.com

"Reflections"

Creating this illustration of a former student who modeled American Indian clothing, Bridgette Kelly provided a striking image. This is the second study of Bridgette, her facial features are captured in the pen and ink drawing, using sepia and brown drawing inks.

This was a demonstration piece that aided in instruction to high school students taking the artist’s graphic design/illustration class at Charles Page High School in Sand Springs, Oklahoma. Using a dip drawing pen, lines inked in sepia were drawn in a parallel line technique. The dark brown background is the cross-hatching line technique.

©1980. Paul King aka pkArtz
12” x 9” Pen and ink on art board

Inquiries for art purchase my contact Paul at: pk.artz2012@gmail.com

The Art of Honor

Competition is a part of everyday life. It is important to remember that when a piece is submitted to be judged, then it becomes subjective by that person who is judging. I accept to be judged on my work, that is one reason I submit my work into competitions. I also continue to create and give my best effort on each work created. My art is my visual communication of expression to others.

pkArtz: Art from A to Z

Forever/Friends #IrishChoctaw

2024 Oklahoma Choctaw National Art Show

“Kindred Spirits” sculpture in Ireland commemorating true friendship for Oklahoma Choctaws who sent money to the Irish during Ireland’s Potato Famine.

Original: Choctaw Cultural Center, Permanent Collection

Inquiries for art prints, contact Paul at: pk.artz2012@gmail.com

MIA #MissingInAmerica

2024 Choctaw Nation of Oklahoma National Art Show

MMIW [Missing & Murdered Indigenous Women]

MMIP [Missing & Murdered Indigenous People]

Hope is what we have; justice is what we seek.

Original: Choctaw Cultural Center, Permanent Collection

Inquiries for art prints, contact Paul at: pk.artz2012@gmail.com

A, Chahta sia. #YesIAmChoctaw

Choctaw Nation Art Show, 2023

First Place, Drawing Division

Choctaw Cultural Center, Durant, OK

Original Purchased: Private Collection

Prints available, contact Paul at: pk.artz2012@gmail.com

Forever/Chahta: Building Traditions

Painting Division: First Place, Choctaw Nation 2023 Art Show

Choctaw Cultural Center, Durant, OK

Inquiries for art purchase my contact Paul at: pk.artz2012@gmail.com

"Okla Humma"

Second Place

Re/Convening: Native Arts of Oklahoma

ahha Tulsa (101 E Archer Street, Tulsa OK 74103)

Exhibit Dates: July 3-September 20, 2020

©2019. Paul King aka pkArtz
16” x 20” Gouache on art board
Original: Oklahoma Historical Society Museum Collections
Inquiries for art prints may contact Paul at: pk.artz2012@gmail.com

"Phases"

Stickball parallels life.

The skill level parallels the age level, the young to the more experienced, as individuals preserve the culture by playing stickball. Stickball is an active, competitive and learning game which includes many levels of life-learning.

The black/white illustrations depict the wooden sticks and leather ball. The faces of the game are illustrated in color. Two panels show young Creek players, while the painted faces are two Choctaw brothers from Wright City, OK. A.J. and Robert Briley look the part of warriors with their painted faces.

“Phases” garnered the Best of Show at the 2017 Choctaw Nation Art Show, in conjunction with the annual Labor Day Festival at the historic Choctaw Nation of Oklahoma Museum and Council House, Tuskahoma, Oklahoma. Choctaw artists from across the country submitted works to this 11th annual juried show.

King was invited and chose this illustration to exhibit at the Oklahoma Hall of Fame; Gaylord-Pickens Museum. The exhibit “IKBI: Chickasaws and Choctaws Sharing Our History and Culture Through Art”. The exhibit displayed from May 31 to September 22, 2018.

©2017. Paul King aka pkArtz
22” x 28” Color pencils and graphite on art board

Inquiries for art purchase my contact Paul at: pk.artz2012@gmail.com

"Patriotic Warrior" #TashkaOkla

Service to country above self, these Choctaw Code Talkers were unrecognized heroes representing America during World War I and II. Not even their families knew of their special services, talking in their Choctaw language for military strategies, which was a major part of winning those wars. They were finally recognized with the Congressional Medal of Honor in 2014, Washington, DC. Ironically, these soldiers served their country, but at the time, were not allowed to vote until years after their service.

2014: Choctaw Nation Juried Art Show

1st Place: Graphics Division

11th Annual National Art Show

Tuskahoma, OK

2014: Choctaw Code Talkers Association

Image used on promotional items in support of fundraising efforts

2016: World War One Centennial Commission

Image became part of the permanent collection, gifted by Don Chapman, Commission Coordinator for Native American Outreach.

Washington, DC

©2015. Paul King aka pkArtz
18” x 24” Graphite on art board

Inquiries for art purchase my contact Paul at: pk.artz2012@gmail.com

At Peace #UncleLoyd

“At Peace” is a tribute to all service personnel who served our country. Their sacrifice, along with their families, allows our freedoms we share today. Uncle Loyd (Dyer) received this Purple Heart coin in a ceremony in April of 2013. He was residing at the Claremore Veterans Center, Claremore, Oklahoma, before his passing in 2015. As a soldier or a warrior from days past, Uncle Loyd was proud of his service to our country. Now he is “at peace.”

Choctaw Nation Art Show, Tuskahoma, 2013: Graphics Division, First Place

Re/Convening: Native Arts of Oklahoma, AHHA, Tulsa, 2020: Second Place

©2013. Paul King aka pkArtz
20” x 16” Graphite and color pencils on art board

Inquiries for art purchase my contact Paul at: pk.artz2012@gmail.com

"Hands of Time"

Experience, enthusiasm and exploration comprise this illustration. The experience of the reed basket weaver, the enthusiasm of a young artist finger painting and the chance to explore using a drawing pencil provide a collage of images that are timeless.

2014: Choctaw Nation Juried Art Show

2nd Place, Graphics Division

Original: Choctaw Nation of Oklahoma Collection

Prints available, contact Paul at: pk.artz2012@gmail.com

11th Annual National Art Show

Tuskahoma, OK

2014: Cherokee Art Market

3rd Place, Drawing and Graphics Division

Hard Rock Casino Hotel, Tulsa, OK

2014: Choctaw Nation of Oklahoma

Birthday Card, distributed nationally to all registered Oklahoma Choctaws

©2014. Paul King aka pkArtz
18” x 24” Graphite and color pencils on art board

Inquiries for art purchase my contact Paul at: pk.artz2012@gmail.com

"Champions"

Pow wows keep the American Indian culture alive and active. It also provides the passing of traditions to each generation. “Champions” combines the young Grand Entry dancer carrying the American flag with the experienced Drum singers. Artistically speaking, by using color (drawn in colored pencil) in the dancer provides the focal point of this composition, with the singers (drawn in graphite) serving as a buffer to support that focal point.

2004: Choctaw Nation of Oklahoma

First national juried Art Show established

Third Place, Graphics Division

Tuskahoma, OK

©2004. Paul King aka pkArtz
16” x 20” Graphite and color pencils on art board

Inquiries for art purchase my contact Paul at: pk.artz2012@gmail.com

"Skilled" #imponna

In the early days of stickball, it was a way to settle a dispute between tribes and has been called the “little brother of war”. Today, it is still used to settle abilities through competitive teams that include referees. It is still intense, pitting strength, agility, accuracy, durability and speed. The action is fast-paced and challenging, without losing respect for the sport. Ceremonial greetings and sportsmanship are a big part of today’s game.

2005: Choctaw Nation Juried Art Show

1st Place, Graphics Division

2nd Annual National Art Show

Tuskahoma, OK

Graphite on art board

2011: Choctaw Cultural Days, Washington, DC

Image was used as branding art for all promotional items at the Smithsonian Institute, National Museum of the American Indian, Washington, DC.

Original: Choctaw Nation of Oklahoma Collection

Prints available, contact Paul at: pk.artz2012@gmail.com

Inquiries for art purchase my contact Paul at: pk.artz2012@gmail.com

"Generations" #unchululi

Family is an important part of our own history. Pictured on the left is Grandpa Willie Dyer, dressed to either go to church or play piano at a gospel singing. The sailor and his bride are the artist’s parents, Madeline and Joseph King, in 1944 during a furlough in Oklahoma City before his deployment to France. The final illustration includes a self-portrait of the artist and his two younger sons, Cody in the brimmed hat and Casey, during Christmas time. Unchululi is Choctaw and translated to the title generations. The diamond pattern is a Choctaw motif and is used through-out the illustration.

2006: Choctaw Nation Juried Art Show

Accepted and exhibited, 3rd Annual National Art Show

Tuskahoma, OK

©2006. Paul King aka pkArtz
28” x 24” Graphite on art board

Inquiries for art purchase my contact Paul at: pk.artz2012@gmail.com

Wind Talkers" #malimahachi

Depicting the dangers and tragedies of war isn’t always a pleasant memory. But the story needs to be told from all perspectives. This is the perspective of the Choctaw Code Talkers, who served and sacrificed along with their brothers in arms, and won the wars of World War I and II, in the artist’s opinion. Most people did not know (including the artist) that the Choctaws were soldiers who communicated in their tribal language to win the war. Many have heard of the Navajo Code Talkers, honored with the Medal of Valor. Historical recognition finally came to Choctaws and other tribes not recognized previously for their heroic efforts on November 20, 2014 with a Congressional Medal of Honor in Washington, DC.

2007: Choctaw Nation Juried Art Show

“Wind Talkers”

Accepted and exhibited, 4th Annual Choctaw National Art Show

Color pencil (battle scene) on art board, graphite (Code Talkers) on art paper and scratchboard

Tuskahoma, OK

2014: Western History Collections

University Libraries, University of Oklahoma

Original “Wind Talkers” donated on behalf of the Joseph King Family (artist’s father); Joseph was the first full-blood Choctaw to receive his Master’s Degree from OU (M. Ed., 1948); diploma was also donated to the University Libraries.

©2007. Paul King aka pkArtz
18” x 24” Graphite and color pencils on art board

Inquiries for art purchase my contact Paul at: pk.artz2012@gmail.com

"CHAHTA" #DyerFamily

Family heritage is depicted using a cut mat of the letters to showcase the individual illustrations. The first letter C shows the artist’s mom, uncle and aunt while attending Vacation Bible School in 1933. The H pictures the artist’s great grandmother and great aunt. A is the artist’s birthplace, the Talihina Indian Hospital, Indian Health Services, in 1949. Letter H is grandpa and grandma Dyer on the church steps. T frames the Choctaw seal and an Eagletown sign which represents where the Dyer-King family originated. The final A focuses on the artist’s great grandfather, James Dyer, who help build the Gardner Mansion and served the Choctaws in Washington, DC during Indian Territory days.

2009: Choctaw Nation Art Show

1st Place, Graphics Division, 5th Annual National Art Show

Tuskahoma, OK

Colored pencil and graphite on art paper

2011: “Choctaw Cultural Days” at the Capitol

Smithsonian Institute

National Museum of the American Indian

Exhibited with the Choctaw Nation of Oklahoma

©2008. Paul King aka pkArtz
26” x 10” Graphite on art board

Inquiries for art purchase my contact Paul at: pk.artz2012@gmail.com

"Buffalo Tribute" #yannash

The focal point, the face of the buffalo, is created in colored pencil and depicts the strength and beauty of this brute. The stretched hide features the main illustration drawn on the torn paper. This symbolizes that beyond life the buffalo provided the American Indian many uses of survival. A page from a sketch book illustrates concepts and a study of Choctaw words relating to the buffalo. The main illustration is in colored pencil; it depicts the strength and the beauty of the buffalo.

2009: Choctaw Nation Art Show

Choctaw Heritage Award (highest honor an artist may receive; with five awards, the artist may be titled Master Choctaw Artist)

Graphics Division, 6th Annual National Art Show

Tuskahoma, OK

Color pencil and graphite on art paper

2011: “Choctaw Cultural Days” at the Capitol

Smithsonian Institute

National Museum of the American Indian

Exhibited with the Choctaw Nation of Oklahoma

©2009. Paul King aka pkArtz
18” x 24” Graphite on art paper

Inquiries for art purchase my contact Paul at: pk.artz2012@gmail.com

"Then and Now" #hopakimaichahimak

Contrast of techniques highlight the composition with graphite being used in illustrating the Choctaw village, made from rough-cut wood posts. The background created in color pencil shows the Choctaw Capitol Museum at Tuskahoma. The stickball players in the foreground indicate a passion of many Choctaws.

2011: Choctaw Nation Juried Art Show

Exhibited and purchased by the Choctaw Nation of Oklahoma

Permanent Collection

Graphics Division, 7th Annual National Art Show

Tuskahoma, OK

©2011. Paul King aka pkArtz
18” x 24” Graphite and color pencil on art paper

Inquiries for art purchase my contact Paul at: pk.artz2012@gmail.com

"Choctaw Veteran" #ChahtaTashkaSepokni

Honoring our service men and women is important to share. That motivated the artist to create this visual representation. Respect is shown to these individuals by highlighting that service with images of the artist’s own family and relatives who are Choctaw Veterans.

2012: Choctaw Nation Juried Art Show

Exhibited and purchased by the Choctaw Nation of Oklahoma

Permanent Collection

8th Annual National Art Show

Tuskahoma, OK

Graphite on art paper

2013: Choctaw Nation of Oklahoma

Calendar Art, month of November

2015: Claremore Veterans Center

The Center accepted “At Peace” to display in honor of Loyd Dyer, Claremore, OK

©2012. Paul King aka pkArtz
20” x 16” Graphite on art paper

Inquiries for art purchase my contact Paul at: pk.artz2012@gmail.com

"You've Got Mail" #HolissotChiAlaTuk

Communication is always important, whether face-to-face or electronically. The US mail service has been around a long time and continues to be a provider of communication. This weathered mailbox at the Council House and Museum, Tuskahoma, OK, withstanding time and nature.

2013: Choctaw Nation Juried Art Show

Accepted and exhibited, Painting Division

9th Annual Art Show

Tuskahoma, OK

Acrylic on canvas

©2013. Paul King aka pkArtz
18” x 24” Acrylic on canvas

Inquiries for art purchase my contact Paul at: pk.artz2012@gmail.com

"Living Legacy" #ChahtaPony

(Choctaw Ponies: Isuba Chahta)

Colonial Spanish mustangs provided endurance and strength to Mississippi Choctaws who were forcibly moved from their homeland to Indian Territory (Oklahoma) during the infamous “Trail of Tears”. Labeled Oklahoma’s Heritage Horse by the state legislature in 2013, these Choctaw ponies stand as a tribute to their survival strength.

2014: Choctaw Nation Juried Art Show

Accepted and exhibited, Painting Division

10th Annual National Art Show

Tuskahoma, OK

©2014. Paul King aka pkArtz
16” x 20” Acrylic on canvas

Inquiries for art purchase my contact Paul at: pk.artz2012@gmail.com

The Art of America

Art is global and for everyone. This section focuses on images within the USA. With our collective insight, this section will be to highlight America, its history, its hope, it’s who we are. pkArtz: Art from A to Z

MIA #MissingInAmerica

MMIW [Missing & Murdered Indigenous Women]

MMIP [Missing & Murdered Indigenous People]

Hope is what we have; justice is what we seek.

"Tulsa"

Located near the artist's residence, Tulsa is nationally known as an artistic community. This painting was originally created as a poster for a music and art festival which is annually held in downtown Tulsa. Located near the Arkansas River, Tulsa is a picturesque city with many opportunities to young and old alike.

For more information, contact Paul at: pk.artz2012@gmail.com

Awesome 80's #TTEF

Relatable icons of the 80’s, created for the Tulsa Tech Education Foundation for student scholarships for their “Party for a Purpose.”

"Then and Now" (hopaki micha himak)

Tuskahoma, Oklahoma, located near Sardis Lake and the Potato Hills in southeastern Oklahoma marks the historic location of the Choctaw Nation of Oklahoma Capitol Building and Museum, built in 1884. With a re-created Choctaw village made of rough-cut trees, it provides the contrast of “then and now”.

For more information, contact Paul at: pk.artz2012@gmail.com

"W2NY"

"Welcome to New York" is a neon sign that visitors see as they enter the Empire State elevator to view the panoramic sight of this great city. The collage of images was taken on a trip by the artist with friends. Being a Yankee fan since birth, the opportunity to go to the former stadium “that Ruth built” was a highlight for this traveler. Seeing the Twin Towers, the Statute of Liberty, staying in Times Square, made this a memorable trip.

For more information, contact Paul at: pk.artz2012@gmail.com

"Pete & Frank"

Francis Boardman “Frank” Eaton (1860-1958), was born in Hartford, Connecticut. In 1876, Frank’s mother and two sisters moved to Indian Territory near the present site of Bartlesville. At the age of fifteen Frank went to Fort Gibson to see what the 6th Cavalry soldiers could teach him. He out-shot everyone at the fort and Colonel Copinger, commander of the fort, gave him a badge for his marksmanship and said, “I am going to give you a new name. From now on you are Pistol Pete!”

In 1923, students at Oklahoma A & M College, now Oklahoma State University, asked Eaton to pose as the school’s mascot after seeing him in an Armistice Day parade. Eaton agreed and became the “original cowboy” and living symbol of Oklahoma State University until his death.

This painting was purchased at the 2018 OSUIT "ArtPlus", an alumni fundraising event that benefited graphic design students through scholarship funds.

For more information, contact Paul at: pk.artz2012@gmail.com

"NM"

New Mexico, rich in American Indian traditions and history, provides the inspiration for this painting. Images within the composition allow the viewer to create their own stories when looking at NM. Perhaps the young lady is thinking about where she has been, or going, or who she is thinking about. That is the beauty of art, in the eye of the beholder.

For more information, contact Paul at: pk.artz2012@gmail.com

“Grandma Missy” Missy (Shoemaker Golden) Marris, 1890-1961

Grandma Missy is an original enrollee and a survivor of the infamous Trail of Tears, the U.S. Removal of Mississippi Choctaws to then Indian Territory (Oklahoma) in 1902. She is a grandmother of a friend of the artist from Ardmore and was a homemaker, gardener, cook, quilt maker and mother of three children. She made quilts out of necessity to keep the family warm during the Removal, but continued to make them as life adjustments improved. She made quilts as presents, using scraps of old shirts and dresses. Her strength came from her faith in God. Grandma Missy cooked, cleaned and continued her quilt making until just a couple of months prior to her death. The artist believes this illustration relates to a lot of us who had grandmas who quilted and provided for her family needs.

For more information, contact Paul at: pk.artz2012@gmail.com

"Phases"

Stickball parallels life.

For more information, contact Paul at: pk.artz2012@gmail.com

The Art of Sandlot

Painting on baseballs began in 1986 for this artist. It combines his passion for baseball and art. Utilizing his hand and design skills to create custom and artist-related themes on a curved surface. Once the acrylic painting is finished, a varnish is applied to protect the art. Sandlot Series refers to the label the artist attaches to these painted baseballs. If you have a request, let me know by clicking on the envelope at the bottom of the page for conversation and a quote.

pkArtz: Art from A to Z

MVSKOKE #BearClan

Acrylic on leather Rawlings baseball.

Inquiries for custom order, contact Paul at pk.artz2012@gmail.com

#99 in 23 for 62

2022 MVP, Aaron Judge, made history by hitting 62 home runs to set the American League record, breaking the 61-year-old record by another Yankee great, Roger Maris.

Oral Roberts University: "Diamond Dinner" 2019

Custom painted baseballs may be purchased.

For more information, contact Paul at: pk.artz2012@gmail.com

“America, One Team” #OurTeam

Baseball. America’s Team. One Team. No matter who you are now, no matter what you do or plan to do in the future or have done in the past, America is still Our Team. Our leaders need to lead respectfully which will unite our country rather than divide us. It’s up to each of us to find the good in all of us. Therefore, painting on a baseball inspired King to embellish with the American Bald Eagle, the symbol of freedom, strength and care. It makes no difference of party affiliation, we still must believe in each other.

“AH, Eagle” Oklahoma SkillsUSA

Paul has been a member since 1974 when the organization was known as VICA, winning a gold medal in graphic design. As he continues to serve on the Oklahoma Alumni & Friends Association Board of Directors as a founding member (2011), one of the activities of the association is to host a live auction to fund the Oklahoma Summer Leadership Institute (SLI) student scholarships at their annual state conference. This hand-painted baseball is part of several items donated for this cause, to allow deserving students a chance to improve their employability and life skills.

For more information, contact Paul at: pk.artz2012@gmail.com

Spider Woman (Osage)

This was created for a birthday present, daughter to mom, following the Osage design of “Spider Woman”. The Osage pattern in the center panel of the baseball creates a nice design between the spider and the word “Me-Ka-Shone-ee” which translates into English as “woman that travels the path of the sun”. Custom painted baseballs are sometimes a challenge, but the end result met with mom’s approval, she liked it.

For more information, contact Paul at: pk.artz2012@gmail.com

“Hall of Fame Softball” Oklahoma SkillsUSA

For more information, contact Paul at: pk.artz2012@gmail.com

"TU Lawyer"

Jessy Hinson-Lawley, through hard work and perseverance, completed her Juris Doctorate from the University of Tulsa in 2016. We have been friends since she was a youngster and I’ve enjoyed watching her to grow up to be a young professional. It is a special baseball and I’m proud of her and her many accomplishments. Continued success to you and your family Jessy!

For more information, contact Paul at: pk.artz2012@gmail.com

"Halito" (Hello)

“Halito” in Choctaw translates in English to Hello. A great gift idea for anyone who likes a unique gift. The stand is my hand set in plaster (not for sale, but I can give you the contact information) and a great way to display baseballs.

For more information, contact Paul at: pk.artz2012@gmail.com

"Special Gift"

Painting a baseball is fun, entertaining and special. This one-of-a-kind painted baseball was presented by a friend.

Want to give a unique gift? Contact pk.artz2012@gmail.com for that personal gift.

For more information, contact Paul at: pk.artz2012@gmail.com

"Yakoke" (Thanks)

“Yakoke” in Choctaw translates in English to Thanks or Thank You. A great gift idea for anyone who likes a unique gift. The stand is my hand set in plaster (not for sale, but I can give you the contact information) and a great way to display baseballs.

For more information, contact Paul at: pk.artz2012@gmail.com

"Achukma" (peace)

The Choctaw word “achukma” may be translated to mean “peace”. What you may not be able to tell are wood branches laced together to form a peace symbol, adorned with two feathers.

When this ball was painted, the artist did not do his research for the meaning of the two feathers. Actually, feathers are a badge of honor, similar to military medals. “Even Sitting Bull, who had the right to wear many eagle feathers, including the full bonnet, sometimes only wore one. Eagle feathers are earned. You have to be given the right to wear one.”

-Unidentified Navajo Source

"USA"

If you look closely, you will see the repetition of the baseballs begin (L-R) with the Golden Gate Bridge in San Francisco representing the west coast. Let your eye travel to the right and you may identify buildings and structures across the Midwest to the east coast, represented by the US Capitol and the Twin Towers in New York City. Hand skills are important to an artist and while this may look challenging to be painted on a curved surface, there are only three colors used to paint the journey across USA: light blue, dark blue and white.

"Christmas Star"

Utilizing a traditional motif, this ball is painted on all panels of the baseball with Christmas colors of red and green.

"Halito" (hello)

This is the Choctaw greeting for “hello”.

"Choctaw Seal"

An unstrung bow, encompassing three arrows and a smoking pipe-hatchet, symbolizes history and tradition of the Choctaw Indians. Peaceable by nature, the Choctaws smoked their pipe-hatchets (or tomahawks), as they sat in solemn deliberation around council fires.

The three arrows symbolize the three great Choctaw Chiefs – Apuckshunnubbe, Pushmataha, and Moshulatubbee – who signed the Treaty of Doaks Stand (1820), by which the United States assigned the tribe a vast domain west (all of Southern Oklahoma) for a part of the Choctaw land in Mississippi. Ten years later when the Choctaws gave up all the rest of their old home country in Mississippi and moved west they divided the new land into three districts and each district was named for one of these great chiefs.

Though peace loving, the Choctaws speedily would string their bows and staunchly set forth to defend themselves if they were provoked. Pushmataha embodied the nature of the tribe. He was the tribal hero and statesman who, when challenged, became the tribal leader in war. Provision was made for this seal at the noted Choctaw convention at Doaksville in 1860. This seal was used on all official papers of the Choctaw Nation until 1907, when the Indian and Oklahoma Territories united as the State of Oklahoma.

References: Muriel H. Wright, “The Great Seal of The Choctaw Nation,” The Chronicles of Oklahoma, Volume XXXIII (Winter, 1955-56); original painting by Guy C. Reid

prev / next

Back to Art